
UTKARSH RAJPUT
Editor & Colorist
Treats the timeline like the gym: show up daily, do the reps, cut what doesn't belong.
- REELS & SHORT-FORM
- CINEMATIC TRAVEL
- EVENT HIGHLIGHTS
- COLOR GRADING
- BRAND PROMOS
EDITORS & COLORISTS — AHMEDABAD, IN
Two editors, two rooms across Ahmedabad, one shared timeline.
AVAILABLE FOR FREELANCE — TAKING PROJECTS
Services: REELS, SHORTS, MOTION GRAPHICS, VFX, COLOR GRADE, SOUND DESIGN, TRAVEL FILMS, EVENT EDITS, BRAND PROMOS.
SELECTED WORK — 2024–2026
SWIPE TO BROWSE · TAP TO WATCH

UTKARSH
Yaaro
TRAVEL

ANURAG
Badla
MOTION

UTKARSH
Suryam Narayan
CONCEPT

ANURAG
If Bharat Hosts
MOTION

UTKARSH
Green Line
TRAVEL

ANURAG
Fearless
MOTION

UTKARSH
Iron In Hand
CONCEPT

ANURAG
The Retreat
TRAVEL

UTKARSH
Spot Me
FITNESS

UTKARSH
On Top
CONCEPT

UTKARSH
Heart Rate
FITNESS

UTKARSH
Leg Day Matter
FITNESS

UTKARSH
Attendance
CONCEPT
01 / 13
COLOR GRADING
RAW / REC709GRADED / UTK-LUT-01Grading is half the edit. I build the mood, not just the cut.
THE CREW — 02 TRACKS
NARODA ↔ MEMNAGAR · AHMEDABAD
CROSSCUT (V.) — TO CUT BACK AND FORTH BETWEEN TWO STORYLINES RUNNING IN PARALLEL.

Editor & Colorist
Treats the timeline like the gym: show up daily, do the reps, cut what doesn't belong.

Editor & Motion Designer
Builds what wasn't shot — motion, effects and sound that make a cut land.
Two editors in two rooms on opposite sides of Ahmedabad, cutting on one shared sequence. Utkarsh takes the camera work — reels, travel, events, the grade. Anurag builds what wasn’t shot — motion, VFX, type and sound.
The split means a brief never waits on one person’s calendar, and nothing gets outsourced to someone who has not read it. Deadlines don’t scare people who wake up at 5:30. This too shall pass — but a good frame stays.
WHAT WE CUT
LEAD · RATE
Scroll-stopping vertical edits with sound design and captions.
Type that moves, lower thirds, animated logos and kinetic captions.
Clean-ups, object removal, tracked elements and effect work.
Story-first travel edits with speed ramps and clean grades.
Same-week highlight films that families replay for years.
Product and business edits built to convert.
Flat footage in, mood out. Per-project LUT work.
Beds, risers, foley and a mix that survives phone speakers.
* INDICATIVE — FINAL QUOTE PER BRIEF
PROCESS
01
BRIEF & FOOTAGE IN
You send the raw files and the reference. I send back the plan and the deadline.
02
ROUGH CUT (48–72 HRS)
Structure, pacing and sound locked first. No grade until the cut works.
03
TWO REVISION ROUNDS
Timestamped notes, turned around same day. Nothing goes out half-finished.
04
FINAL DELIVERY + FORMATS
Graded master plus 9:16, 1:1 and 16:9 exports, ready to post.
TOOLKIT
FEEDBACK
Sent him a folder of phone clips on Monday. Had a reel that outperformed everything else on the page by Thursday.
— PLACEHOLDER, BRAND REEL
The grade is what sold it. Same footage everyone else shot that day, only ours looked like a film.
— PLACEHOLDER, TRAVEL FILM
Two revisions, both back the same night. First editor I have worked with who treats a deadline as the deadline.
— PLACEHOLDER, EVENT HIGHLIGHTS