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EDITORS & COLORISTS — AHMEDABAD, IN

TWO ROOMSONE TIMELINE

  • V1UTKARSH RAJPUTNARODA
  • V2ANURAGMEMNAGAR

Two editors, two rooms across Ahmedabad, one shared timeline.

MONTAGE_2026.MOV
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AVAILABLE FOR FREELANCE — TAKING PROJECTS

Services: REELS, SHORTS, MOTION GRAPHICS, VFX, COLOR GRADE, SOUND DESIGN, TRAVEL FILMS, EVENT EDITS, BRAND PROMOS.

SELECTED WORK — 2024–2026

THE CUTS

SWIPE TO BROWSE · TAP TO WATCH

Yaaro — travel reel by UTKARSH
R-0100:11

UTKARSH

Yaaro

TRAVEL

Badla — motion reel by ANURAG
R-0200:50

ANURAG

Badla

MOTION

Suryam Narayan — concept reel by UTKARSH
R-0300:31

UTKARSH

Suryam Narayan

CONCEPT

If Bharat Hosts — motion reel by ANURAG
R-0400:39

ANURAG

If Bharat Hosts

MOTION

Green Line — travel reel by UTKARSH
R-0500:11

UTKARSH

Green Line

TRAVEL

Fearless — motion reel by ANURAG
R-0600:25

ANURAG

Fearless

MOTION

Iron In Hand — concept reel by UTKARSH
R-0700:08

UTKARSH

Iron In Hand

CONCEPT

The Retreat — travel reel by ANURAG
R-0800:33

ANURAG

The Retreat

TRAVEL

Spot Me — fitness reel by UTKARSH
R-0900:29

UTKARSH

Spot Me

FITNESS

On Top — concept reel by UTKARSH
R-1000:07

UTKARSH

On Top

CONCEPT

Heart Rate — fitness reel by UTKARSH
R-1100:14

UTKARSH

Heart Rate

FITNESS

Leg Day Matter — fitness reel by UTKARSH
R-1200:12

UTKARSH

Leg Day Matter

FITNESS

Attendance — concept reel by UTKARSH
R-1300:07

UTKARSH

Attendance

CONCEPT

01 / 13

COLOR GRADING

RAW → GRADED

Graded frame from a travel editRAW / REC709GRADED / UTK-LUT-01

Grading is half the edit. I build the mood, not just the cut.

THE CREW — 02 TRACKS

TWO ROOMS.

NARODA ↔ MEMNAGAR · AHMEDABAD

CROSSCUT (V.) — TO CUT BACK AND FORTH BETWEEN TWO STORYLINES RUNNING IN PARALLEL.

V101 / 02
UTKARSH RAJPUT
NARODAAHMEDABAD, IN

UTKARSH RAJPUT

Editor & Colorist

Treats the timeline like the gym: show up daily, do the reps, cut what doesn't belong.

  • REELS & SHORT-FORM
  • CINEMATIC TRAVEL
  • EVENT HIGHLIGHTS
  • COLOR GRADING
  • BRAND PROMOS
V202 / 02
ANURAG
MEMNAGARAHMEDABAD, IN

ANURAG

Editor & Motion Designer

Builds what wasn't shot — motion, effects and sound that make a cut land.

  • MOTION GRAPHICS
  • VFX
  • SOUND DESIGN
  • TYPE ANIMATION
  • AI-ASSISTED EDIT
  • COLOR CORRECTION

SAME DISCIPLINE.
ONE TIMELINE.

Two editors in two rooms on opposite sides of Ahmedabad, cutting on one shared sequence. Utkarsh takes the camera work — reels, travel, events, the grade. Anurag builds what wasn’t shot — motion, VFX, type and sound.

The split means a brief never waits on one person’s calendar, and nothing gets outsourced to someone who has not read it. Deadlines don’t scare people who wake up at 5:30. This too shall pass — but a good frame stays.

000+
EDITS DELIVERED
00
ROOMS
00H
ROUGH CUT
00
DAYS / WEEK

WHAT WE CUT

SERVICES

LEAD · RATE

* INDICATIVE — FINAL QUOTE PER BRIEF

PROCESS

HOW A CUT HAPPENS

  1. 01

    BRIEF & FOOTAGE IN

    You send the raw files and the reference. I send back the plan and the deadline.

  2. 02

    ROUGH CUT (48–72 HRS)

    Structure, pacing and sound locked first. No grade until the cut works.

  3. 03

    TWO REVISION ROUNDS

    Timestamped notes, turned around same day. Nothing goes out half-finished.

  4. 04

    FINAL DELIVERY + FORMATS

    Graded master plus 9:16, 1:1 and 16:9 exports, ready to post.

TOOLKIT

  • PREMIERE PRO
  • AFTER EFFECTS
  • DAVINCI RESOLVE
  • CAPCUT
  • PHOTOSHOP
  • LIGHTROOM
  • AI-ASSISTED WORKFLOW

FEEDBACK

CLIENT NOTES

  • 00:01:12SAMPLE

    Sent him a folder of phone clips on Monday. Had a reel that outperformed everything else on the page by Thursday.

    — PLACEHOLDER, BRAND REEL

  • 00:04:08SAMPLE

    The grade is what sold it. Same footage everyone else shot that day, only ours looked like a film.

    — PLACEHOLDER, TRAVEL FILM

  • 00:07:21SAMPLE

    Two revisions, both back the same night. First editor I have worked with who treats a deadline as the deadline.

    — PLACEHOLDER, EVENT HIGHLIGHTS